JUAN ALMEIDA - FANTASIA LP

JUAN ALMEIDA - FANTASIA LP

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RELEASED ON 6.9.2024 ON MR BONGO PROPER

CATALOGUE NUMBER MRBLP295

It's a real oddity, unique and not in keeping with the majority of Cuban albums we

know, but it's all the better for this. Coming courtesy of Juan Almeida, the

Fantasia LP is an eclectic and epic , instrumental ride through Latin jazz-funk,

trippy electronics and orchestrated classical music. Sounding at points like a full

blown orchestrated score to a dusty animated flm extravaganza, with phrases

and passages repeating like the appearance of ghostly spectres throughout the

recording. At others, it busts into exotic funk, psychedelic- trippiness and

AfroCuban percussion.

As rich and varied as the record, so too was Juan Almeida's (Juan Almeida

Bosque) life. A descendant of African slaves born in a poor neighbourhood in

Havana in 1927, Almeida went from bricklayer to university law student, through

which he would meet Fidel Castro. He played a key role in the Cuban revolution,

becoming the only black commander and famously voicing "Aqui no se rinde

nadie!" ("Nobody here surrenders!") when outnumbered at the start of the

offensive. Castro would later make him one of his vice presidents, but Almeida's

legacy does not stop there. He also became the composer of over 300 popular

Cuban songs, many of them recounting his days as a guerrilla.

Produced, orchestrated and conducted by Rafael Somavilla , who worked on a

vast array of Cuban recordings including Raul Gomez's 'Instrumental' which we

also reissued on Mr Bongo, the feel of Fantasia is big, luscious, grand and pop

classical. It has become a highly sought- after , cult Cuban rarity amongst

collectors and like many great albums, every repeat listen brings with it new

elements previously unnoticed. Such is its richness and depth. A truly

mesmerising, off-the-beaten-track instrumental record.


Tracks:

1. Preludio

2. Este Camino Largo

3. Decide Tu

4. Interludio

5. El Arriero

6. Te Canta Mi Tambor

7. Ritmo Abierto

8. Postludio

9. Final